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[2] => Colombia stands out in the world
[noticia] => Colombia stands out in the world
[3] => Four awards, including the Golden Shell for best film at the San Sebastian Festival, broad participation at Iberseries & Platino Industria, and outstanding presence in the Pixelalt and Toronto festivals, made Colombia's international share in September.
[abstract] => Four awards, including the Golden Shell for best film at the San Sebastian Festival, broad participation at Iberseries & Platino Industria, and outstanding presence in the Pixelalt and Toronto festivals, made Colombia's international share in September.
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[10] => Colombia in Spain
At the 70th edition of the San Sebastian Festival, Laura Mora's Los reyes del mundo (The kings of the world) was awarded the Golden Shell for Best Film. This is the first time a Colombian production has won the highest prize at the festival. The feature film also received the Feroz Zinemaldia Award for best film in competition from the Spanish Association of Cinematographic Informers (AICE) and the SIGNIS Award from the International Catholic Film Organization (OCIC). At the Catalan festival, Sofía Salinas and Juan David Bohórquez's Montaña azul (The blue mountain) won the Nest Award, the highest recognition in the short film competition bringing together students from film schools around the world.
Iberseries & Platino Industria, an international professional film event focused on Spanish-language series content, also took place this month. The 2022 edition of the Ibero-American market held professionals from 35 countries, more than 60 panels, over 180 speakers, and 36 screenings premiering new content. Over 50 international buyers, 164 new participating projects, 37 exhibitors' stands, more than 100 accredited journalists, and around 300 scheduled activities were part of the event.
More than 60 accredited participants from Colombia attended activities such as the Meeting of International Production Companies and the conference 'Impact and benefits of public policies in the film industry in Colombia.' The former fostered connections and co-productions between Ibero-American producers and peers from other countries. The latter focused on the stability achieved in the country and other laws and initiatives that have led to the remarkable growth of Colombian and international film productions made in the country. Participants included Alina Hleap (director of Fundación ENIC Producciones and SAPCINE); Ana Piñeres, president of EGEDA Colombia and producer; Claudia Triana, director of Proimágenes Colombia; Diego García-Moreno, founding member of Alados - Corporación Colombiana de Documentalistas; and Vivian Alvarado, general manager of EGEDA Colombia.
Procolombia held a delegation of 15 producers coordinating a pitch session where film entrepreneurs showed their proposals to potential investors or co-producers. It supported Upfront Colombia, where productions ready for distribution were screened, and organized a networking space for 300 people.
At the event, Los Angeles and Madrid-based Secuoya Studios, and Colombia's Caracol Televisión, closed a framework deal to jointly develop, produce and finance scripted series over the next year.
Colombia in Mexico
The country was also part of the Pixelatl Festival, the leading event connecting Latin American creators and the global animation, comic, and video game industries. In its eleventh edition in Guadalajara (Mexico), Colombia participated in the Official Short Film Selection with Color-ido by Estefanía Piñeres Duque, Boa by Nicolás Eduardo Parra, Keradó by Andrés Castillo and Diego Alejandro Castillo, and El dolor de mi madre (My mother's pain) by Juliana Erazo (Netherlands, Colombia). These four short films have been beneficiaries of the Film Development Fund - FDC.
The feature films La otra forma (The other way) and Dos pajaritos (Two little birds) were screened at the event. La otra forma, by Diego Guzmán, won an award in the Latin American and Spanish Feature Film Competition at the last edition of Chilemonos and was part of the Annecy Festival. Dos pajaritos is a TV series directed by Alfredo Soderguit and Alejo Schettini. It won first place in the Short Contents category of the Prix Jeunesse International 2022, the Jury Prize for Best Series at the Annecy 2022 International Festival, and the prize for Best Latin American Series at Chilemonos 2022.
The companies Lucy Animation Studios, 3 Dados Media, Dinamita Animación, Felicita Movies, and Caballo Loco took part in the event. The International Promotion delegation of Proimágenes Colombia supported the promotion of the projects My Dad the Truck by María Cristina Pérez González, The Council of Dead Birds and A Dark Poem of Humanity by Jimmy Cho, Halloween by Silvia Prietov, and Len and the Song of the Whales by Julián Londoño.
Colombia in Canada
The Toronto International Film Festival (TIFF) also took place in September. Three Colombian feature films in the Contemporary World Cinema section: La Jauría (The pack) by Andrés Ramírez Pulido, Vicenta B.directed by Cuban Carlos Lechuga, and So Much Tenderness by Colombian Lina Rodriguez. The short film Todo incluido (All included) by Duván Duque was in the Short Cuts section. Laura Mora's Los reyes del mundo (The Kings of the World) was screened in the TIFF Industry Selects, a selection of movies handpicked to be part of the market screenings organized for the press and industry.
Representatives of the Colombian companies Signos Studio SAS, STORY, 36 Grados, Diptongo, Caracol Televisión, Studio AYMAC, and TeleColombia & Estudios TeleMéxico attended the event. The International Promotion Department supported the promotion of the fiction feature films La Suprema (The supreme) by Felipe Holguín Caro; Malta by Natalia Santa; Golán by Orlando Culzat; Matrioshka, directed and produced by Jorge Forero; Sandra by Yennifer Uribe; and the documentaries Minotauro by Joaquín Uribe and Soul of the Desert by Mónica Taboada-Tapia.
[contenido] => Colombia in Spain
At the 70th edition of the San Sebastian Festival, Laura Mora's Los reyes del mundo (The kings of the world) was awarded the Golden Shell for Best Film. This is the first time a Colombian production has won the highest prize at the festival. The feature film also received the Feroz Zinemaldia Award for best film in competition from the Spanish Association of Cinematographic Informers (AICE) and the SIGNIS Award from the International Catholic Film Organization (OCIC). At the Catalan festival, Sofía Salinas and Juan David Bohórquez's Montaña azul (The blue mountain) won the Nest Award, the highest recognition in the short film competition bringing together students from film schools around the world.
Iberseries & Platino Industria, an international professional film event focused on Spanish-language series content, also took place this month. The 2022 edition of the Ibero-American market held professionals from 35 countries, more than 60 panels, over 180 speakers, and 36 screenings premiering new content. Over 50 international buyers, 164 new participating projects, 37 exhibitors' stands, more than 100 accredited journalists, and around 300 scheduled activities were part of the event.
More than 60 accredited participants from Colombia attended activities such as the Meeting of International Production Companies and the conference 'Impact and benefits of public policies in the film industry in Colombia.' The former fostered connections and co-productions between Ibero-American producers and peers from other countries. The latter focused on the stability achieved in the country and other laws and initiatives that have led to the remarkable growth of Colombian and international film productions made in the country. Participants included Alina Hleap (director of Fundación ENIC Producciones and SAPCINE); Ana Piñeres, president of EGEDA Colombia and producer; Claudia Triana, director of Proimágenes Colombia; Diego García-Moreno, founding member of Alados - Corporación Colombiana de Documentalistas; and Vivian Alvarado, general manager of EGEDA Colombia.
Procolombia held a delegation of 15 producers coordinating a pitch session where film entrepreneurs showed their proposals to potential investors or co-producers. It supported Upfront Colombia, where productions ready for distribution were screened, and organized a networking space for 300 people.
At the event, Los Angeles and Madrid-based Secuoya Studios, and Colombia's Caracol Televisión, closed a framework deal to jointly develop, produce and finance scripted series over the next year.
Colombia in Mexico
The country was also part of the Pixelatl Festival, the leading event connecting Latin American creators and the global animation, comic, and video game industries. In its eleventh edition in Guadalajara (Mexico), Colombia participated in the Official Short Film Selection with Color-ido by Estefanía Piñeres Duque, Boa by Nicolás Eduardo Parra, Keradó by Andrés Castillo and Diego Alejandro Castillo, and El dolor de mi madre (My mother's pain) by Juliana Erazo (Netherlands, Colombia). These four short films have been beneficiaries of the Film Development Fund - FDC.
The feature films La otra forma (The other way) and Dos pajaritos (Two little birds) were screened at the event. La otra forma, by Diego Guzmán, won an award in the Latin American and Spanish Feature Film Competition at the last edition of Chilemonos and was part of the Annecy Festival. Dos pajaritos is a TV series directed by Alfredo Soderguit and Alejo Schettini. It won first place in the Short Contents category of the Prix Jeunesse International 2022, the Jury Prize for Best Series at the Annecy 2022 International Festival, and the prize for Best Latin American Series at Chilemonos 2022.
The companies Lucy Animation Studios, 3 Dados Media, Dinamita Animación, Felicita Movies, and Caballo Loco took part in the event. The International Promotion delegation of Proimágenes Colombia supported the promotion of the projects My Dad the Truck by María Cristina Pérez González, The Council of Dead Birds and A Dark Poem of Humanity by Jimmy Cho, Halloween by Silvia Prietov, and Len and the Song of the Whales by Julián Londoño.
Colombia in Canada
The Toronto International Film Festival (TIFF) also took place in September. Three Colombian feature films in the Contemporary World Cinema section: La Jauría (The pack) by Andrés Ramírez Pulido, Vicenta B.directed by Cuban Carlos Lechuga, and So Much Tenderness by Colombian Lina Rodriguez. The short film Todo incluido (All included) by Duván Duque was in the Short Cuts section. Laura Mora's Los reyes del mundo (The Kings of the World) was screened in the TIFF Industry Selects, a selection of movies handpicked to be part of the market screenings organized for the press and industry.
Representatives of the Colombian companies Signos Studio SAS, STORY, 36 Grados, Diptongo, Caracol Televisión, Studio AYMAC, and TeleColombia & Estudios TeleMéxico attended the event. The International Promotion Department supported the promotion of the fiction feature films La Suprema (The supreme) by Felipe Holguín Caro; Malta by Natalia Santa; Golán by Orlando Culzat; Matrioshka, directed and produced by Jorge Forero; Sandra by Yennifer Uribe; and the documentaries Minotauro by Joaquín Uribe and Soul of the Desert by Mónica Taboada-Tapia.
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[10] => Theater attendance in Colombia during September 2022. Eight Colombian feature films were released: three documentaries and five dramas. Plus, eight Colombian films screened in previous months were shown.
[contenido] => Theater attendance in Colombia during September 2022. Eight Colombian feature films were released: three documentaries and five dramas. Plus, eight Colombian films screened in previous months were shown.
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[2] => Cineposium was held in Latin America
[noticia] => Cineposium was held in Latin America
[3] => Bogota hosted the world's most important training and networking meeting for film commissioners, with speakers from Disney, Netflix, and Universal, among others.
[abstract] => Bogota hosted the world's most important training and networking meeting for film commissioners, with speakers from Disney, Netflix, and Universal, among others.
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[10] => The Cineposium was held for the first time in Latin America, thanks to the work and dedication of a committee led by the Film Commission of Bogota's Institute of the Arts - Idartes, along with the Bogota Chamber of Commerce. Bogota's Institute of Tourism - IDT, Procolombia, Proimágenes Colombia, the Colombian Film Commission, Invest in Bogota, and the Greater Bogota Convention Bureau also joined the efforts to support the city's nomination and materialize the event.
The Association of Film Commissioners International (AFCI) chose Bogota as the official venue for the Cineposium in 2022, making it the first Latin American city to host the event in its 45-year history. The event was organized by the Bogota Film Commission, which aims to promote the city as a film destination. This mission is crucial for the city's economic reactivation and the promotion of creative, technological, and logistical services in the film industry.
This edition brought together nearly 178 film commissioners and film professionals who experienced an ample academic agenda with industry-leading speakers exploring their sector's latest challenges and experiences. "We are delighted to have participated with the team in Bogota and everyone who worked hard on the Cineposium," said Marjorie Galas, senior vice president of membership and industry relations at AFCI. "The attendance was tremendous. We had very informative panels with excellent guests," she added.
Bas Van Der Ree, the film commissioner of the Netherlands and chairman of the AFCI board of directors, was impressed with Bogota as a host: "What struck me about Colombia was its hospitality, especially the Colombian team at the Cineposium, that knows exactly what we do. I did not expect such a smooth operation, with excellent pace and variety in the panels."
Three thematic axes guided the meeting through nine talks. The eco-sustainability (environmental awareness) component featured Lisa Day, sustainability manager of The Walt Disney Company; Hans Dayal, location manager for series such as Supergirl and Minority Report; and Marnie Gee of the Creative BC Film Commission. The gender perspective component included a panel to discuss the industry's most current initiatives in front of and behind the camera. This panel featured Amanda Blumenthal, privacy coordinator for series such as Euphoria, Marjorie Galas of AFCI, and Sabrina Farji of Cima Latam.
The film tourism component, a challenge for the world's film commissioners, discussed film products as artworks and showcases for promoting locations as tourist destinations. It included a talk with Yvett Merino, Oscar-winning producer for her work on Encanto; Alejandra Espinosa Uribe, cultural consultant for this animated film inspired by Colombia; Stefan Roesch, a reference in film tourism in New Zealand; and Tommaso Campione, executive director of The Hollywood Reporter.
The Cineposium program also included a conversation on incentives and film laws in Colombia. The talk used the series Pálpito as a case study, featuring its producer Ana Piñeres; Juliana Moreno, production manager at Netflix; Silvia Echeverri, director of the Colombia Film Commission; and Ricardo Cantor, from the Bogotá Film Commission.
Other discussions in the program included How reggeaton music videos boost regional tourism with Harold Jiménez (36 degrees), Luis Lizarralde (Sony Music), and Natalia Barbosa (Medellín Film Commission); Case study of Memoria / successful international co-productions with Diana Bustamante (producer), David Melo (cultural advisor Mayor's Office of Bogotá) and Julio Chavezmontes (co-producer); Telenovelas: How soap operas impact local and regional production with Rodrigo Guerrero (producer in La reina del sur), Dago García (VP of production and content in Caracol TV), producer Magdalena La Rotta, and Diana Díaz; Filming in different international jurisdictions utilizing tax incentive programs with Jay Roewe (HBO), Camila Wilches (Sony Pictures Entertainment), Donne Dawson (Hawaii State Film Commissioner), Brian O'Leary (tax incentive consultant), and María Fernanda Cristo (dynamo); and Breaking down territory stereotypes withStefanie Rauscher (Vienna Film Commission), Timothy Odhiambo Owase (Kenya Film Commission), David Cohen (Variety), and Adrian Mitchell (Oslo Film Commission).
[contenido] => The Cineposium was held for the first time in Latin America, thanks to the work and dedication of a committee led by the Film Commission of Bogota's Institute of the Arts - Idartes, along with the Bogota Chamber of Commerce. Bogota's Institute of Tourism - IDT, Procolombia, Proimágenes Colombia, the Colombian Film Commission, Invest in Bogota, and the Greater Bogota Convention Bureau also joined the efforts to support the city's nomination and materialize the event.
The Association of Film Commissioners International (AFCI) chose Bogota as the official venue for the Cineposium in 2022, making it the first Latin American city to host the event in its 45-year history. The event was organized by the Bogota Film Commission, which aims to promote the city as a film destination. This mission is crucial for the city's economic reactivation and the promotion of creative, technological, and logistical services in the film industry.
This edition brought together nearly 178 film commissioners and film professionals who experienced an ample academic agenda with industry-leading speakers exploring their sector's latest challenges and experiences. "We are delighted to have participated with the team in Bogota and everyone who worked hard on the Cineposium," said Marjorie Galas, senior vice president of membership and industry relations at AFCI. "The attendance was tremendous. We had very informative panels with excellent guests," she added.
Bas Van Der Ree, the film commissioner of the Netherlands and chairman of the AFCI board of directors, was impressed with Bogota as a host: "What struck me about Colombia was its hospitality, especially the Colombian team at the Cineposium, that knows exactly what we do. I did not expect such a smooth operation, with excellent pace and variety in the panels."
Three thematic axes guided the meeting through nine talks. The eco-sustainability (environmental awareness) component featured Lisa Day, sustainability manager of The Walt Disney Company; Hans Dayal, location manager for series such as Supergirl and Minority Report; and Marnie Gee of the Creative BC Film Commission. The gender perspective component included a panel to discuss the industry's most current initiatives in front of and behind the camera. This panel featured Amanda Blumenthal, privacy coordinator for series such as Euphoria, Marjorie Galas of AFCI, and Sabrina Farji of Cima Latam.
The film tourism component, a challenge for the world's film commissioners, discussed film products as artworks and showcases for promoting locations as tourist destinations. It included a talk with Yvett Merino, Oscar-winning producer for her work on Encanto; Alejandra Espinosa Uribe, cultural consultant for this animated film inspired by Colombia; Stefan Roesch, a reference in film tourism in New Zealand; and Tommaso Campione, executive director of The Hollywood Reporter.
The Cineposium program also included a conversation on incentives and film laws in Colombia. The talk used the series Pálpito as a case study, featuring its producer Ana Piñeres; Juliana Moreno, production manager at Netflix; Silvia Echeverri, director of the Colombia Film Commission; and Ricardo Cantor, from the Bogotá Film Commission.
Other discussions in the program included How reggeaton music videos boost regional tourism with Harold Jiménez (36 degrees), Luis Lizarralde (Sony Music), and Natalia Barbosa (Medellín Film Commission); Case study of Memoria / successful international co-productions with Diana Bustamante (producer), David Melo (cultural advisor Mayor's Office of Bogotá) and Julio Chavezmontes (co-producer); Telenovelas: How soap operas impact local and regional production with Rodrigo Guerrero (producer in La reina del sur), Dago García (VP of production and content in Caracol TV), producer Magdalena La Rotta, and Diana Díaz; Filming in different international jurisdictions utilizing tax incentive programs with Jay Roewe (HBO), Camila Wilches (Sony Pictures Entertainment), Donne Dawson (Hawaii State Film Commissioner), Brian O'Leary (tax incentive consultant), and María Fernanda Cristo (dynamo); and Breaking down territory stereotypes withStefanie Rauscher (Vienna Film Commission), Timothy Odhiambo Owase (Kenya Film Commission), David Cohen (Variety), and Adrian Mitchell (Oslo Film Commission).
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[2] => Alina de Cuba was filmed
[noticia] => Alina de Cuba was filmed
[3] => The historical drama, a beneficiary of the Audiovisual Investment Certificate - CINA, is directed by Miguel Bardem and stars Ana Villafañe and James Franco. Filming took place in Bogota and Cartagena. More than 80% of its technical and art crew are Colombian.
[abstract] => The historical drama, a beneficiary of the Audiovisual Investment Certificate - CINA, is directed by Miguel Bardem and stars Ana Villafañe and James Franco. Filming took place in Bogota and Cartagena. More than 80% of its technical and art crew are Colombian.
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[10] => Alina de Cuba tells the true story of Cuban exile turned social advocate Alina Fernandez, known as "Castro's Daughter," born from an affair between Fidel Castro and Natalia "Naty" Revuelta. Revuelta was a Cuban socialite who offered her —and her husband's— money and belongings to help fund the start of the Communist Revolution. Fernandez learned that she was Fidel Castro's daughter only when she was ten. After years of secret visits, her mother finally admitted that "El Comandante" was her birth father. Over time, Alina grew up to become one of Castro's harshest critics, being arrested on more than one occasion for attempting to flee and classified as a dissident banned from leaving Cuba. She finally defected to Spain in 1993, making headlines in major newspapers worldwide, before permanently settling in Miami.
This historical drama is directed by Goya Award winner Miguel Bardem (The Mother), starring Broadway actress Ana Villafañe (New Amsterdam), along with Oscar-nominated actor James Franco (Milk) and Imagen Award winner Mia Maestro (Tango). They are joined by María Cecilia Botero, Norberto Rivera, Alanna de la Rosa, Luna Baxter, Viña Machado, Johanna Robledo, Mariale Ordoñez, Charlotte de Casabianca, Carlos Manuel Vesga, and Felipe Castilla, among others.
The movie script was written by Academy Award-nominated writer Jose Rivera and Pulitzer Prize-winner Nilo Cruz. Producing the project are John Martinez O'Felan and Joe Lamy from Austin-based Mankind Entertainment, along with Academy Award nominee —for The Kids Are Alright— Celine Rattray, and BAFTA Award nominee —for Still Alice— Trudie Styler from Maven Screen Media. Redbud Studios founders Allen Gilmer and Rikki Rushing and Emmy winner Javier Gonzales are part of the production team. Luis Mandoki and Thaddeus D. Matula act as executive producers.
The Colombian side of the production team, comprising 80% of the positions, included Jaguar Bite, led by Juan Pablo Solano and Simón Beltrán, as executive producers; Carolina Arciniegas as line producer; Alejandro Romero in the UPM; Augusto Castillo as assistant director; Juan Pablo Rincón as casting director; Juan Carrasquilla as location manager; Carlos Osorio as production designer; Stephanie Hansen as set designer; Olga Turrini as makeup designer; Daniela Rivano as costume designer; Juan Carlos Gil (Que viva la música) as cinematographer; Boris Herrera as sound designer; and Ana María Gallón as still photographer; among others.
The project was a beneficiary of the CINA incentive - Audiovisual Investment Certificate, a 35% tax discount on expenses for film services in the country, granted by the Colombian government and administered by Proimágenes Colombia. The film was shot entirely in Cartagena, Bogota, and its surroundings, as Colombian colonial architecture and design capture the Castro era in Havana, Cuba.
[contenido] => Alina de Cuba tells the true story of Cuban exile turned social advocate Alina Fernandez, known as "Castro's Daughter," born from an affair between Fidel Castro and Natalia "Naty" Revuelta. Revuelta was a Cuban socialite who offered her —and her husband's— money and belongings to help fund the start of the Communist Revolution. Fernandez learned that she was Fidel Castro's daughter only when she was ten. After years of secret visits, her mother finally admitted that "El Comandante" was her birth father. Over time, Alina grew up to become one of Castro's harshest critics, being arrested on more than one occasion for attempting to flee and classified as a dissident banned from leaving Cuba. She finally defected to Spain in 1993, making headlines in major newspapers worldwide, before permanently settling in Miami.
This historical drama is directed by Goya Award winner Miguel Bardem (The Mother), starring Broadway actress Ana Villafañe (New Amsterdam), along with Oscar-nominated actor James Franco (Milk) and Imagen Award winner Mia Maestro (Tango). They are joined by María Cecilia Botero, Norberto Rivera, Alanna de la Rosa, Luna Baxter, Viña Machado, Johanna Robledo, Mariale Ordoñez, Charlotte de Casabianca, Carlos Manuel Vesga, and Felipe Castilla, among others.
The movie script was written by Academy Award-nominated writer Jose Rivera and Pulitzer Prize-winner Nilo Cruz. Producing the project are John Martinez O'Felan and Joe Lamy from Austin-based Mankind Entertainment, along with Academy Award nominee —for The Kids Are Alright— Celine Rattray, and BAFTA Award nominee —for Still Alice— Trudie Styler from Maven Screen Media. Redbud Studios founders Allen Gilmer and Rikki Rushing and Emmy winner Javier Gonzales are part of the production team. Luis Mandoki and Thaddeus D. Matula act as executive producers.
The Colombian side of the production team, comprising 80% of the positions, included Jaguar Bite, led by Juan Pablo Solano and Simón Beltrán, as executive producers; Carolina Arciniegas as line producer; Alejandro Romero in the UPM; Augusto Castillo as assistant director; Juan Pablo Rincón as casting director; Juan Carrasquilla as location manager; Carlos Osorio as production designer; Stephanie Hansen as set designer; Olga Turrini as makeup designer; Daniela Rivano as costume designer; Juan Carlos Gil (Que viva la música) as cinematographer; Boris Herrera as sound designer; and Ana María Gallón as still photographer; among others.
The project was a beneficiary of the CINA incentive - Audiovisual Investment Certificate, a 35% tax discount on expenses for film services in the country, granted by the Colombian government and administered by Proimágenes Colombia. The film was shot entirely in Cartagena, Bogota, and its surroundings, as Colombian colonial architecture and design capture the Castro era in Havana, Cuba.
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[2] => Colombian series on streaming platforms
[noticia] => Colombian series on streaming platforms
[3] => Noticia de un secuestro (News of a kidnapping) on Prime Video and Turbia (Muddy) on ViX+ are the two Colombian productions available for subscribers.
[abstract] => Noticia de un secuestro (News of a kidnapping) on Prime Video and Turbia (Muddy) on ViX+ are the two Colombian productions available for subscribers.
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[10] => Early 90's, Colombia. The government tries to combat drug trafficking with extradition laws. Maruja Pachón and Beatriz Villamizar –the wife and sister of congressman Alberto Villamizar– are kidnapped by the Extraditables. The police begin a search for clues that could help them close in on the kidnappers, and Alberto joins the operation to rescue his family.
This is the official synopsis of Noticia de un secuestro, a series based on the book by Gabriel García Márquez. It tells the true story of a group of people in politics and journalism in Colombia who Pablo Escobar and his entourage kidnapped during the drug trafficking era in the early nineties. The book recounts the interrelated kidnappings of journalist and Focine director Maruja Pachón; Beatriz Villamizar de Guerrero; director of Criptón news and Hoy x Hoy magazine, Diana Turbay; editor Azucena Liévano; writer Juan Vitta; camera operators Richard Becerra and Orlando Acevedo; German photographer Hero Buss; Marina Montoya; and the editor-in-chief of El Tiempo, Francisco "Pacho" Santos.
Composed of six episodes and co-produced between Chile and Colombia, the series is directed by Chileans Andrés Wood (Violeta se fue a los cielos —Violeta went to heaven—, Machuca) and Julio Jorquera (Mi último round —My last round—). A technical team of more than 250 people produced the film. It included executive producers María Elena Wood, Matías Cardone, Macarena Cardone, and Patricio Pereira (Invercine & Wood); Lourdes Díaz and Stuart Ford (AGC Studios); and García Márquez's son, screenwriter, and director, Rodrigo García Barcha (The Affair, Six Feet Under). In Colombia, production services were provided by FoxTelecolombia, with Diana Camargo Buriticá as executive producer; Miguel I. Littin-Menz and Paulo Pérezas directors of photography; Eleonor Barajas as art director; Ana María Urrea as costume designer; Vivianne Saler as makeup designer; and Boris Herrera, Juan Manuel López, and Yesid Vásquez in sound.
The series stars Colombians Juan Pablo Raba, Cristina Umaña, Julieth Restrepo, Constanza Duque, Majida Issa, Carmenza Gómez and Jairo Camargo.
Turbia on ViX+
In 2023, Cali is experiencing a tremendous environmental and social crisis due to water scarcity. The drought that has been going on for several months and the contamination and disappearance of the city's main water basins have made various inhabitants carry out their daily tasks, trades, and activities amid a harsh and savage context. The city has been split into two zones. The first one, a privileged area with strong security cordons, is the home of the wealthiest and most powerful. The second one, the "dry zone," lacks drinking water and shelters the rest of the population. People living in the dry zone, completely hit by the crisis, have reached the highest levels of violence, unhealthiness, and corruption. Meanwhile, an approaching rain announced in the media disturbs everyone.
This is the story of Turbia, which is now available on ViX+, a TelevisaUnivision Interactive platform aimed at Spanish-speaking audiences in the United States and Latin America. ViX is the world's largest Spanish-language streaming service with a catalog of original series, movie premieres, and telenovelas. It was relaunched on March 31, 2022, in Mexico and the United States as part of the merger of Blim TV, Univision Now, and its sister platform Prende TV. ViX+ is a paid monthly subscription service that provides access to exclusive content initially created in Spanish.
Turbia is a six-episode series directed by Colombian filmmakers Oscar Ruiz Navia (El vuelco del cangrejo—Crab Trap—), Carlos Moreno (Perro come perro —Dog eat dog—), César Acevedo (La tierra y la sombra —The land and the shadow), William Vega (La sirga —The towrope—), Jorge Navas (La sangre y la lluvia —Blood and Rain—) and Santiago Lozano (Siembra). The series had its world premiere in the International Panorama Competition of the Series Mania Festival in France. It has won awards such as Best Latin American Fiction Series and the Grand Prize Diseñar Futuro at the TAL 2021 Awards of the Latin American Public Television Network. It was also nominated for Best Miniseries, Best Screenplay, and Best Art Direction at the India Catalina Awards of the Colombian Audiovisual Industry 2022. It was selected at the Los Angeles Latin American Film Festival - LALIFF (2022) in its Episodics section.
It is a production of Colombian companies Contravía Films and Inercia Películas, in co-production with Telepacífico, Blond Indian Films, and Gatoencerrado Films, in association with 64-A Films. The film screenplay was written by Alonso Torres Arana, Genny Cuervo, Oscar Ruiz Navia, César Acevedo, Carlos Moreno, Jorge Navas, and Carlos Tellez. Juan David Velásquez directed the cinematography, Marcela Gómezand Daniel Rincón were in the art direction, Andrés Porras and Felipe Guerrero in editing, Isabel Torres and Carlos Segovia in direct sound, John Alex Castillo in casting, Ana María Acosta in costume design, and Ángela Trejos in production management. Felipe Bravo composed the original music, Nathalie Choquette led the line production, Julián Laguna was the first assistant director, and Juan Manuel Betancourt was the VFX artist.
The film was produced by Ana María Ruiz Navia and Oscar Ruiz Navia from Contravía Films and Paola Pérez Nieto from Inercia Películas. The cast included Francia Márquez (current Vice president of Colombia), Serena Hebenstreit, Mario Bolaños, Juan Sánchez, Miguel Ángel Viera, Álvaro Rodríguez, Gladys Donado, Juan Carlos Martínez, Héctor Mejía, Raúl Estrada, Ángela García, Francisco Cucalón, Wendy Betancourt and Liliana Montes, among others.
[contenido] => Early 90's, Colombia. The government tries to combat drug trafficking with extradition laws. Maruja Pachón and Beatriz Villamizar –the wife and sister of congressman Alberto Villamizar– are kidnapped by the Extraditables. The police begin a search for clues that could help them close in on the kidnappers, and Alberto joins the operation to rescue his family.
This is the official synopsis of Noticia de un secuestro, a series based on the book by Gabriel García Márquez. It tells the true story of a group of people in politics and journalism in Colombia who Pablo Escobar and his entourage kidnapped during the drug trafficking era in the early nineties. The book recounts the interrelated kidnappings of journalist and Focine director Maruja Pachón; Beatriz Villamizar de Guerrero; director of Criptón news and Hoy x Hoy magazine, Diana Turbay; editor Azucena Liévano; writer Juan Vitta; camera operators Richard Becerra and Orlando Acevedo; German photographer Hero Buss; Marina Montoya; and the editor-in-chief of El Tiempo, Francisco "Pacho" Santos.
Composed of six episodes and co-produced between Chile and Colombia, the series is directed by Chileans Andrés Wood (Violeta se fue a los cielos —Violeta went to heaven—, Machuca) and Julio Jorquera (Mi último round —My last round—). A technical team of more than 250 people produced the film. It included executive producers María Elena Wood, Matías Cardone, Macarena Cardone, and Patricio Pereira (Invercine & Wood); Lourdes Díaz and Stuart Ford (AGC Studios); and García Márquez's son, screenwriter, and director, Rodrigo García Barcha (The Affair, Six Feet Under). In Colombia, production services were provided by FoxTelecolombia, with Diana Camargo Buriticá as executive producer; Miguel I. Littin-Menz and Paulo Pérezas directors of photography; Eleonor Barajas as art director; Ana María Urrea as costume designer; Vivianne Saler as makeup designer; and Boris Herrera, Juan Manuel López, and Yesid Vásquez in sound.
The series stars Colombians Juan Pablo Raba, Cristina Umaña, Julieth Restrepo, Constanza Duque, Majida Issa, Carmenza Gómez and Jairo Camargo.
Turbia on ViX+
In 2023, Cali is experiencing a tremendous environmental and social crisis due to water scarcity. The drought that has been going on for several months and the contamination and disappearance of the city's main water basins have made various inhabitants carry out their daily tasks, trades, and activities amid a harsh and savage context. The city has been split into two zones. The first one, a privileged area with strong security cordons, is the home of the wealthiest and most powerful. The second one, the "dry zone," lacks drinking water and shelters the rest of the population. People living in the dry zone, completely hit by the crisis, have reached the highest levels of violence, unhealthiness, and corruption. Meanwhile, an approaching rain announced in the media disturbs everyone.
This is the story of Turbia, which is now available on ViX+, a TelevisaUnivision Interactive platform aimed at Spanish-speaking audiences in the United States and Latin America. ViX is the world's largest Spanish-language streaming service with a catalog of original series, movie premieres, and telenovelas. It was relaunched on March 31, 2022, in Mexico and the United States as part of the merger of Blim TV, Univision Now, and its sister platform Prende TV. ViX+ is a paid monthly subscription service that provides access to exclusive content initially created in Spanish.
Turbia is a six-episode series directed by Colombian filmmakers Oscar Ruiz Navia (El vuelco del cangrejo—Crab Trap—), Carlos Moreno (Perro come perro —Dog eat dog—), César Acevedo (La tierra y la sombra —The land and the shadow), William Vega (La sirga —The towrope—), Jorge Navas (La sangre y la lluvia —Blood and Rain—) and Santiago Lozano (Siembra). The series had its world premiere in the International Panorama Competition of the Series Mania Festival in France. It has won awards such as Best Latin American Fiction Series and the Grand Prize Diseñar Futuro at the TAL 2021 Awards of the Latin American Public Television Network. It was also nominated for Best Miniseries, Best Screenplay, and Best Art Direction at the India Catalina Awards of the Colombian Audiovisual Industry 2022. It was selected at the Los Angeles Latin American Film Festival - LALIFF (2022) in its Episodics section.
It is a production of Colombian companies Contravía Films and Inercia Películas, in co-production with Telepacífico, Blond Indian Films, and Gatoencerrado Films, in association with 64-A Films. The film screenplay was written by Alonso Torres Arana, Genny Cuervo, Oscar Ruiz Navia, César Acevedo, Carlos Moreno, Jorge Navas, and Carlos Tellez. Juan David Velásquez directed the cinematography, Marcela Gómezand Daniel Rincón were in the art direction, Andrés Porras and Felipe Guerrero in editing, Isabel Torres and Carlos Segovia in direct sound, John Alex Castillo in casting, Ana María Acosta in costume design, and Ángela Trejos in production management. Felipe Bravo composed the original music, Nathalie Choquette led the line production, Julián Laguna was the first assistant director, and Juan Manuel Betancourt was the VFX artist.
The film was produced by Ana María Ruiz Navia and Oscar Ruiz Navia from Contravía Films and Paola Pérez Nieto from Inercia Películas. The cast included Francia Márquez (current Vice president of Colombia), Serena Hebenstreit, Mario Bolaños, Juan Sánchez, Miguel Ángel Viera, Álvaro Rodríguez, Gladys Donado, Juan Carlos Martínez, Héctor Mejía, Raúl Estrada, Ángela García, Francisco Cucalón, Wendy Betancourt and Liliana Montes, among others.
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Pantalla Colombia
| N° 117 Sep 01 - Oct 15 / 2022 - Your ticket to Colombian Films / PROIMAGENES COLOMBIA Fondo Mixto de Promoción Cinematográfica |
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| Your ticket to Colombian Films |
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Four awards, including the Golden Shell for best film at the San Sebastian Festival, broad participation at Iberseries & Platino Industria, and outstanding presence in the Pixelalt and Toronto festivals, made Colombia's international share in September.
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Cineposium was held in Latin America
Bogota hosted the world's most important training and networking meeting for film commissioners, with speakers from Disney, Netflix, and Universal, among others.
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Alina de Cuba was filmed
The historical drama, a beneficiary of the Audiovisual Investment Certificate - CINA, is directed by Miguel Bardem and stars Ana Villafañe and James Franco. Filming took place in Bogota and Cartagena. More than 80% of its technical and art crew are Colombian.
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Colombian series on streaming platforms
Noticia de un secuestro (News of a kidnapping) on Prime Video and Turbia (Muddy) on ViX+ are the two Colombian productions available for subscribers.
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See Colombian Cinema
Latin America and United States
www.primevideo.com
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National event
MIDBO 24 - Bogotá International Documentary Exhibition
October 25 - October 30
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National event
6 Calibélula - Festival Internacional de cine Infantil y juvenil
October 24 - October 29
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