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[noticia] => Colombia at IDFA
[3] => Alis, Anhell69, Amando a Martha (Loving Martha), and Los Órganos internos de la madre Tierra (Mother Earth's Inner Organs) are the four Colombian productions taking part in the 35th edition of the International Documentary Film Festival of Amsterdam from November 9th to 20th.
[abstract] => Alis, Anhell69, Amando a Martha (Loving Martha), and Los Órganos internos de la madre Tierra (Mother Earth's Inner Organs) are the four Colombian productions taking part in the 35th edition of the International Documentary Film Festival of Amsterdam from November 9th to 20th.
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[10] => IDFA is the largest documentary film festival in the world, held annually in Amsterdam, Netherlands, since 1988. Over twelve days, it screens more than 300 films, sells more than 250,000 tickets, and welcomes more than 3,000 guests. The festival strives to strengthen the international documentary climate by focusing more than ever on documentary film as an art form. This focus includes documentary films with an original visual language or structure, films that show lesser-known cultures or are filmed from a non-Western perspective, and interactive or immersive documentaries that innovate the field.
The festival believes in the power of documentary film as a high-quality, artistic form of information and reflection. It heightens films that help us understand the world and determine our place in it, making us think and build better societies with more democracy, openness, and humanity.
For the 2022 edition, two Colombian productions will participate in the Best of Fests section, which presents award-winning films, audience favorites, and outstanding titles from the international festival circuit. In Alis, a documentary directed by Clare Weiskopf and Nicolás Van Hemelryck, eight formerly homeless teenage girls give life to a fictitious classmate in a creative act. As reality stands out and fiction fades, the innocent game becomes a descent into hell where their glowing faces will guide us to the dark world they once inhabited. The film won the Crystal Bear for Best Film in the Generation14 Plus section at the Berlinale 2022, the Forum Award for Best Project at the International Documentary Film Festival Amsterdam -IDFA-, the Young Jury Award at the Sheffield DocFest, and the Audience Award and the Student Jury Award of the Institute of Higher Latin American Studies at the Biarritz Amérique Latine Festival, among others.
In the same section is Theo Montoya's Anhell69. In this film, the director dives deep into a generation with no future, torn apart by drugs and suicide in a city defined by violence. All hope is gone, and getting high is all that remains. Montoya sees Medellín as a ghost town lost in the mountains, where you can't see the horizon and can never escape. Anhell69 received the Golden Dove in the International Competition of the 65th Leipzig International Documentary and Animation Film Festival -DOK Leipzig-; as well as a Special Jury Mention, the Mario Serandrei - Hotel Saturnia Award, and the Most Innovative Film Award granted by the Verona Film Club, during the 37th edition of the Venice International Critics' Week.
The Luminous section, which showcases premieres in a wide range of styles and formalist approaches —from observational to personal and experimental, vindicating the individual as a window to the universal— will include Amando a Martha by Daniela López (Colombia, Argentina). When Daniela, the documentary's director, was about to move in with her partner, she received a worrying letter from Martha, her grandmother. Martha noticed that Daniela's boyfriend was very dominant and verbally abusive. After living in psychological terror in a lousy marriage for 39 years, Martha wants a very different life for her granddaughter. It seems that the time has come to make the film Martha proposed to her many years ago about how her husband made her life a living hell. What at first appears to be Martha's life story soon expands into a complex family drama in which even the film project becomes controversial.
Finally, Ana Bravo Pérez's Los órganos internos de la madre tierra, a co-production between Colombia and the Netherlands —produced by Joram Kraaijeveld and Bravo Pérez for Urkunina Films— will premiere at the IDFA Documentary Short Film Competition. In this experimental work, the director traces the coal stench in the port of Amsterdam back to its source: an open wound in northern Colombia. The mine is located in the territory of the Wayúu and dramatically impacts the indigenous peoples.
[contenido] => IDFA is the largest documentary film festival in the world, held annually in Amsterdam, Netherlands, since 1988. Over twelve days, it screens more than 300 films, sells more than 250,000 tickets, and welcomes more than 3,000 guests. The festival strives to strengthen the international documentary climate by focusing more than ever on documentary film as an art form. This focus includes documentary films with an original visual language or structure, films that show lesser-known cultures or are filmed from a non-Western perspective, and interactive or immersive documentaries that innovate the field.
The festival believes in the power of documentary film as a high-quality, artistic form of information and reflection. It heightens films that help us understand the world and determine our place in it, making us think and build better societies with more democracy, openness, and humanity.
For the 2022 edition, two Colombian productions will participate in the Best of Fests section, which presents award-winning films, audience favorites, and outstanding titles from the international festival circuit. In Alis, a documentary directed by Clare Weiskopf and Nicolás Van Hemelryck, eight formerly homeless teenage girls give life to a fictitious classmate in a creative act. As reality stands out and fiction fades, the innocent game becomes a descent into hell where their glowing faces will guide us to the dark world they once inhabited. The film won the Crystal Bear for Best Film in the Generation14 Plus section at the Berlinale 2022, the Forum Award for Best Project at the International Documentary Film Festival Amsterdam -IDFA-, the Young Jury Award at the Sheffield DocFest, and the Audience Award and the Student Jury Award of the Institute of Higher Latin American Studies at the Biarritz Amérique Latine Festival, among others.
In the same section is Theo Montoya's Anhell69. In this film, the director dives deep into a generation with no future, torn apart by drugs and suicide in a city defined by violence. All hope is gone, and getting high is all that remains. Montoya sees Medellín as a ghost town lost in the mountains, where you can't see the horizon and can never escape. Anhell69 received the Golden Dove in the International Competition of the 65th Leipzig International Documentary and Animation Film Festival -DOK Leipzig-; as well as a Special Jury Mention, the Mario Serandrei - Hotel Saturnia Award, and the Most Innovative Film Award granted by the Verona Film Club, during the 37th edition of the Venice International Critics' Week.
The Luminous section, which showcases premieres in a wide range of styles and formalist approaches —from observational to personal and experimental, vindicating the individual as a window to the universal— will include Amando a Martha by Daniela López (Colombia, Argentina). When Daniela, the documentary's director, was about to move in with her partner, she received a worrying letter from Martha, her grandmother. Martha noticed that Daniela's boyfriend was very dominant and verbally abusive. After living in psychological terror in a lousy marriage for 39 years, Martha wants a very different life for her granddaughter. It seems that the time has come to make the film Martha proposed to her many years ago about how her husband made her life a living hell. What at first appears to be Martha's life story soon expands into a complex family drama in which even the film project becomes controversial.
Finally, Ana Bravo Pérez's Los órganos internos de la madre tierra, a co-production between Colombia and the Netherlands —produced by Joram Kraaijeveld and Bravo Pérez for Urkunina Films— will premiere at the IDFA Documentary Short Film Competition. In this experimental work, the director traces the coal stench in the port of Amsterdam back to its source: an open wound in northern Colombia. The mine is located in the territory of the Wayúu and dramatically impacts the indigenous peoples.
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[10] => Theater attendance in Colombia during october 2022. Eight Colombian feature films were released: two documentaries, five dramas and one comedy. Plus, nine Colombian films screened in previous months were shown. 48 films have been released so far this year.
[contenido] => Theater attendance in Colombia during october 2022. Eight Colombian feature films were released: two documentaries, five dramas and one comedy. Plus, nine Colombian films screened in previous months were shown. 48 films have been released so far this year.
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[2] => Awards around the world
[noticia] => Awards around the world
[3] => In October, the Biarritz, Sitges, Dok Leipzig, and Chicago festivals recognized several Colombian productions with some of their top awards.
[abstract] => In October, the Biarritz, Sitges, Dok Leipzig, and Chicago festivals recognized several Colombian productions with some of their top awards.
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[10] => From October 17 to 23, the 65th edition of the Leipzig International Documentary and Animation Film Festival -DOK Leipzig- took place. The annual event celebrates cinema and promotes debate by focusing on peace, tolerance, human dignity, freedom of expression, and the filmmakers' solid individual artistic signature. For more than 65 years, the festival has featured documentary and animated films from around the world, hosting more than 40,000 visitors.
This year, Anhell69 by Theo Montoya received the Golden Dove in the International Competition, the highest award given by this festival, which has become one of the world's most noteworthy events for documentary filmmaking. It is the first time a Colombian film has won this award. The film also received a Special Jury Mention, the Mario Serandrei - Hotel Saturnia Award, and the Most Innovative Film Award granted by the Verona Film Club, all during the most recent edition of the Venice International Critics' Week.
The Chicago International Film Festival, the longest-running competitive festival in North America, celebrated its 58th edition from October 12 to 23. The Golden Hugo, the top award in the International Documentary Competition, went to Alis by Clare Weiskopf and Nicolás Van Hemelryck. Jury members included documentary filmmaker Tirtza Even, Brazilian director Marcelo Gomes and Marjon Javadi, vice president of documentaries and docuseries for Disney.
In Chicago, the Colombian film also received a Special Mention in the Out-Look Competition, highlighting the importance of gay-themed films in contemporary international cinema. These two awards add to a long list that includes the Crystal Bear in the Generation 14Plus section of the Berlin International Film Festival - Berlinale 2022, the Forum Award for Best Project at the International Documentary Film Festival Amsterdam - IDFA, the Young Jury Award at the Sheffield DocFest, and the Best Ibero-American Feature Documentary Award at the Guadalajara International Film Festival - FICG, among others.
In the International Fiction Competition, the Silver Hugo for Best Production Design went to Marcela Gómez (production designer) and Daniel Rincón (art director) for their work on Laura Mora's Los reyes del mundo. As stated by the festival: "the film is a road movie through forests and across paths paved and unpaved, with the various and incredibly detailed interior locations offering shelter from the harsh outside world in different ways, even if finding definitive shelter might forever prove elusive for the film's young protagonists."
At the 55th Sitges International Fantastic Film Festival of Catalonia, held from October 6 to 16, the animated feature film La otra forma by Diego Guzmán, produced by Hierroanimación and Smith & Smith, received the Award for Best Animated Feature Film in the Anima't section. Created in 1968, Sitges has become an unmissable event for moviegoers and audiences who want to see the latest trends and new technologies applied to fantasy and horror cinema, making it the most prominent festival in the world in this genre.
A recipient of the Film Development Fund (FDC) in the Animated Feature Film Production category, La otra forma adds this award to the Best Feature Film Award from Latin America and Spain in the 11th edition of the Chilemonos International Animation Festival and its world premiere in the Long métrage contrechamp category of the 60th edition of the Annecy Festival.
Finally, Los reyes del mundo was awarded at the 31st edition of the Biarritz Amérique Latine Festival. This annual event started in 1979, aiming to create an art and culture exchange point between Latin America and Europe and to present distribution and co-production opportunities to Latin American filmmakers. The feature film, a recipient of the FDC's Integral Stimulus for the production and promotion of films, directed by Laura Mora, won the Embrace for Best Feature Film in the Fiction Competition after winning the Golden Shell at the 70th edition of the San Sebastian Festival and participating in the Toronto Festival.
Meanwhile, Alis received the Audience Award and the Student Jury Award from the Institute of Higher Latin American Studies. Also, two Colombian projects were awarded in the professional meetings section of the festival, running since 2018 as Biarritz Amérique Latine Lab / BAL-LAB. Todo esto eran mangas (This used to be grasslands) by Daniela Abad won the BAL-LAB Award for fiction, allowing its script to be translated into French. The €5,000 development grant from the Centro Nacional del Cine y la Imagen Animada - CNC went to the project Los pájaros (The Birds) by Fabián Hernández.
[contenido] => From October 17 to 23, the 65th edition of the Leipzig International Documentary and Animation Film Festival -DOK Leipzig- took place. The annual event celebrates cinema and promotes debate by focusing on peace, tolerance, human dignity, freedom of expression, and the filmmakers' solid individual artistic signature. For more than 65 years, the festival has featured documentary and animated films from around the world, hosting more than 40,000 visitors.
This year, Anhell69 by Theo Montoya received the Golden Dove in the International Competition, the highest award given by this festival, which has become one of the world's most noteworthy events for documentary filmmaking. It is the first time a Colombian film has won this award. The film also received a Special Jury Mention, the Mario Serandrei - Hotel Saturnia Award, and the Most Innovative Film Award granted by the Verona Film Club, all during the most recent edition of the Venice International Critics' Week.
The Chicago International Film Festival, the longest-running competitive festival in North America, celebrated its 58th edition from October 12 to 23. The Golden Hugo, the top award in the International Documentary Competition, went to Alis by Clare Weiskopf and Nicolás Van Hemelryck. Jury members included documentary filmmaker Tirtza Even, Brazilian director Marcelo Gomes and Marjon Javadi, vice president of documentaries and docuseries for Disney.
In Chicago, the Colombian film also received a Special Mention in the Out-Look Competition, highlighting the importance of gay-themed films in contemporary international cinema. These two awards add to a long list that includes the Crystal Bear in the Generation 14Plus section of the Berlin International Film Festival - Berlinale 2022, the Forum Award for Best Project at the International Documentary Film Festival Amsterdam - IDFA, the Young Jury Award at the Sheffield DocFest, and the Best Ibero-American Feature Documentary Award at the Guadalajara International Film Festival - FICG, among others.
In the International Fiction Competition, the Silver Hugo for Best Production Design went to Marcela Gómez (production designer) and Daniel Rincón (art director) for their work on Laura Mora's Los reyes del mundo. As stated by the festival: "the film is a road movie through forests and across paths paved and unpaved, with the various and incredibly detailed interior locations offering shelter from the harsh outside world in different ways, even if finding definitive shelter might forever prove elusive for the film's young protagonists."
At the 55th Sitges International Fantastic Film Festival of Catalonia, held from October 6 to 16, the animated feature film La otra forma by Diego Guzmán, produced by Hierroanimación and Smith & Smith, received the Award for Best Animated Feature Film in the Anima't section. Created in 1968, Sitges has become an unmissable event for moviegoers and audiences who want to see the latest trends and new technologies applied to fantasy and horror cinema, making it the most prominent festival in the world in this genre.
A recipient of the Film Development Fund (FDC) in the Animated Feature Film Production category, La otra forma adds this award to the Best Feature Film Award from Latin America and Spain in the 11th edition of the Chilemonos International Animation Festival and its world premiere in the Long métrage contrechamp category of the 60th edition of the Annecy Festival.
Finally, Los reyes del mundo was awarded at the 31st edition of the Biarritz Amérique Latine Festival. This annual event started in 1979, aiming to create an art and culture exchange point between Latin America and Europe and to present distribution and co-production opportunities to Latin American filmmakers. The feature film, a recipient of the FDC's Integral Stimulus for the production and promotion of films, directed by Laura Mora, won the Embrace for Best Feature Film in the Fiction Competition after winning the Golden Shell at the 70th edition of the San Sebastian Festival and participating in the Toronto Festival.
Meanwhile, Alis received the Audience Award and the Student Jury Award from the Institute of Higher Latin American Studies. Also, two Colombian projects were awarded in the professional meetings section of the festival, running since 2018 as Biarritz Amérique Latine Lab / BAL-LAB. Todo esto eran mangas (This used to be grasslands) by Daniela Abad won the BAL-LAB Award for fiction, allowing its script to be translated into French. The €5,000 development grant from the Centro Nacional del Cine y la Imagen Animada - CNC went to the project Los pájaros (The Birds) by Fabián Hernández.
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[2] => Colombian series at the Emmy Awards
[noticia] => Colombian series at the Emmy Awards
[3] => Dapinty, una aventura musicolor (Dapinty, a musicolor adventure ) is nominated for the International Emmy Awards, among a large Latin American participation.
[abstract] => Dapinty, una aventura musicolor (Dapinty, a musicolor adventure ) is nominated for the International Emmy Awards, among a large Latin American participation.
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[10] => The series tells the adventures of a Dapinty, a curious painter, musician, and explorer who travels with Miguel, the Paintbrush (his magical friend), through the regions of Colombia in search of fascinating animals they want to paint. On their journeys, they learn about the animals' habitats and discover the regions' natural, cultural, and food riches. Their adventures always leave them in awe and give them all the knowledge to finish their paintings. Each episode takes place in real locations in one of the Colombian regions, such as Mompox (Caribbean), El Tuparro National Natural Park (Orinoco), Santurbán Paramo (Andean), Providencia Island (Insular), Chiribiquete (Amazon), Nuquí and Solano Bay (Pacific).
"Our responsibility is to help position the Colombian film industry in the world and, with our series, lead a large group of Colombian creatives and companies. We also want to acknowledge the institutional efforts of Colombia's ministries to increase the production and quality of audiovisual and cultural content," says Iván D. Vanegas, executive producer and representative of the project.
Every year, the International Emmy Awards honors the best television programs produced and broadcast outside the United States. For its 2022 edition, whose awards ceremony will be held on November 21, 60 productions from 23 countries will be nominated in 15 categories. Dapinty, una aventura musicolor is the only Latin American production in the Kids: Animation category, competing with Fumetsu no Anata E(NHK, Japan), Les Lapins Cretins - Invasion: Mission sur Mars (Ubisoft Motion Pictures Rabbids, France), and Shaun the Sheep: Flight Before Christmas (Netflix / Aardman, United Kingdom).
The series is produced by Silverwolf Entertainment and directed by Daniel Mejía and Alicia Molina. Molina also wrote the script along with Miguel Vélez. The general and executive production was led by Iván D. Vanegas; production management by Erick Natera; educational consulting by New Kids Education; art and character direction by Natalia Jiménez; design and conceptualization by José Miguel Benga; layouts and props illustrations by Ricardo Vélez, Juanita Londoño, Lina María Porras and Jessica Antonio. Paula Londoño was the assistant director, and Alexander González worked as a pre-production assistant. The soundtrack was composed by Daniel Gutiérrez and the music score by Julio César Sierra.
Along with Dapinty, the Latin American participation at the awards includes Bios: Calamaro by Buena Vista Producciones Originales for Disney and Nat Geo (Argentina); Narcos: Mexico for Netflix and Gaumont (Mexico); Leticia Colin for Globoplay's "Onde Está Meu Coração" (Brazil); HBO Latin America's Bunker (Mexico); Globoplay's O Caso Evandro (Brazil); Televisión Nacional de Chile's Latin American Dreams (Chile); Netflix's Anonima (Mexico); Telefe's La Voz Argentina - Season 3 (Argentina); TV Pública Argentina's Espíritu pionero (Argentina); Amazon Studios' Chivas (Mexico), and Megamedia Chile's Isabel, the intimate story of writer Isabel Allende (Chile).
[contenido] => The series tells the adventures of a Dapinty, a curious painter, musician, and explorer who travels with Miguel, the Paintbrush (his magical friend), through the regions of Colombia in search of fascinating animals they want to paint. On their journeys, they learn about the animals' habitats and discover the regions' natural, cultural, and food riches. Their adventures always leave them in awe and give them all the knowledge to finish their paintings. Each episode takes place in real locations in one of the Colombian regions, such as Mompox (Caribbean), El Tuparro National Natural Park (Orinoco), Santurbán Paramo (Andean), Providencia Island (Insular), Chiribiquete (Amazon), Nuquí and Solano Bay (Pacific).
"Our responsibility is to help position the Colombian film industry in the world and, with our series, lead a large group of Colombian creatives and companies. We also want to acknowledge the institutional efforts of Colombia's ministries to increase the production and quality of audiovisual and cultural content," says Iván D. Vanegas, executive producer and representative of the project.
Every year, the International Emmy Awards honors the best television programs produced and broadcast outside the United States. For its 2022 edition, whose awards ceremony will be held on November 21, 60 productions from 23 countries will be nominated in 15 categories. Dapinty, una aventura musicolor is the only Latin American production in the Kids: Animation category, competing with Fumetsu no Anata E(NHK, Japan), Les Lapins Cretins - Invasion: Mission sur Mars (Ubisoft Motion Pictures Rabbids, France), and Shaun the Sheep: Flight Before Christmas (Netflix / Aardman, United Kingdom).
The series is produced by Silverwolf Entertainment and directed by Daniel Mejía and Alicia Molina. Molina also wrote the script along with Miguel Vélez. The general and executive production was led by Iván D. Vanegas; production management by Erick Natera; educational consulting by New Kids Education; art and character direction by Natalia Jiménez; design and conceptualization by José Miguel Benga; layouts and props illustrations by Ricardo Vélez, Juanita Londoño, Lina María Porras and Jessica Antonio. Paula Londoño was the assistant director, and Alexander González worked as a pre-production assistant. The soundtrack was composed by Daniel Gutiérrez and the music score by Julio César Sierra.
Along with Dapinty, the Latin American participation at the awards includes Bios: Calamaro by Buena Vista Producciones Originales for Disney and Nat Geo (Argentina); Narcos: Mexico for Netflix and Gaumont (Mexico); Leticia Colin for Globoplay's "Onde Está Meu Coração" (Brazil); HBO Latin America's Bunker (Mexico); Globoplay's O Caso Evandro (Brazil); Televisión Nacional de Chile's Latin American Dreams (Chile); Netflix's Anonima (Mexico); Telefe's La Voz Argentina - Season 3 (Argentina); TV Pública Argentina's Espíritu pionero (Argentina); Amazon Studios' Chivas (Mexico), and Megamedia Chile's Isabel, the intimate story of writer Isabel Allende (Chile).
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[2] => Médulas, sanando de raíz at the Japan Prize
[noticia] => Médulas, sanando de raíz at the Japan Prize
[3] => The series, produced by Dieciséis 9 Films and Canal Capital Sistema de Comunicación Pública, was part of the competition whose awards ceremony took place on November 4 in Tokyo.
[abstract] => The series, produced by Dieciséis 9 Films and Canal Capital Sistema de Comunicación Pública, was part of the competition whose awards ceremony took place on November 4 in Tokyo.
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[10] => United by a healing dialogue and the reconstruction of intimate memories, twenty women go to the core of their experiences of discrimination, violence, and gender inequality. They confront the fears, traumatic experiences, and chains of violence they have faced to resignify their past while healing the sources of their identity. By sharing true gender-based violence stories, they deconstruct and resignify their memory, embodied by a walnut tree's roots.
This is the storyline of Médulas, sanando de raíz (Medullas, healing at the root), an experimental animated documentary series selected as a finalist in the Japan Prize. This international competition chooses the best television, and other media productions focused on educational content. Since 1965, it has awarded outstanding works that expand education possibilities. Each year, more than 300 works are submitted to this event, and in 2022, awards were given in Pre-school, Elementary, Youth, Digital Media, and LifelongLearning divisions. The event aims to identify changes in education and learning styles, improve educational content quality worldwide, and contribute to peace and prosperity for humanity.
Médulas, sanando de raíz is a Dieciséis 9 Films production for Canal Capital Sistema de Comunicación Pública. It was nominated in the Lifelong Learning category, focusing on audiovisual content for young people over 18. The film competed against productions from Ireland, Germany, Canada, Holland, France, Argentina, South Africa, and Sweden. Young Plato, a co-production between Ireland, Northern Ireland, and Belgium, was the winner of this category.
The Colombian series is made up of ten episodes addressing different issues, from sexual harassment and abuse, discrimination, and transphobia to home care and working in the street as a woman. The episode titles are Urban Languages; My Body, My Choice; Down to Earth; Resilience; Healing from Within; #MeToo; Weaving Memory; Barriers; Women in Pandemic, and Less Paperwork, More Action.
Lola Barreto directed the series and contributed to the research along with Jimena Sánchez Granados and Diana Caicedo. Laura Benavides Ramírez wrote the script; Laura Castillo Beltrán, Ángela Paola González Vásquez, and Juan Manuel Nieto Fajardo were in the production team; Carolina Lucio worked on the sound design and music; and Alejandro Beltrán Olivero led the editing. The animation team was composed of Margarita Jiménez Moyano, Alejandra Salinas Gamboa, Laura Benavides Ramírez, Jenny Romero Arévalo, Victoria Romero Suárez, Juliana Pinzón Caicedo, Gabriela Méndez, Anny Uribe Zambrano, Santiago Sánchez Ballén, Cristian Rodríguez Suárez, Wanda Paz, Ana Caro, and Sergio Lombo Ortiz.
All the episodes of the series can be watched at www.conexioncapital.co
[contenido] => United by a healing dialogue and the reconstruction of intimate memories, twenty women go to the core of their experiences of discrimination, violence, and gender inequality. They confront the fears, traumatic experiences, and chains of violence they have faced to resignify their past while healing the sources of their identity. By sharing true gender-based violence stories, they deconstruct and resignify their memory, embodied by a walnut tree's roots.
This is the storyline of Médulas, sanando de raíz (Medullas, healing at the root), an experimental animated documentary series selected as a finalist in the Japan Prize. This international competition chooses the best television, and other media productions focused on educational content. Since 1965, it has awarded outstanding works that expand education possibilities. Each year, more than 300 works are submitted to this event, and in 2022, awards were given in Pre-school, Elementary, Youth, Digital Media, and LifelongLearning divisions. The event aims to identify changes in education and learning styles, improve educational content quality worldwide, and contribute to peace and prosperity for humanity.
Médulas, sanando de raíz is a Dieciséis 9 Films production for Canal Capital Sistema de Comunicación Pública. It was nominated in the Lifelong Learning category, focusing on audiovisual content for young people over 18. The film competed against productions from Ireland, Germany, Canada, Holland, France, Argentina, South Africa, and Sweden. Young Plato, a co-production between Ireland, Northern Ireland, and Belgium, was the winner of this category.
The Colombian series is made up of ten episodes addressing different issues, from sexual harassment and abuse, discrimination, and transphobia to home care and working in the street as a woman. The episode titles are Urban Languages; My Body, My Choice; Down to Earth; Resilience; Healing from Within; #MeToo; Weaving Memory; Barriers; Women in Pandemic, and Less Paperwork, More Action.
Lola Barreto directed the series and contributed to the research along with Jimena Sánchez Granados and Diana Caicedo. Laura Benavides Ramírez wrote the script; Laura Castillo Beltrán, Ángela Paola González Vásquez, and Juan Manuel Nieto Fajardo were in the production team; Carolina Lucio worked on the sound design and music; and Alejandro Beltrán Olivero led the editing. The animation team was composed of Margarita Jiménez Moyano, Alejandra Salinas Gamboa, Laura Benavides Ramírez, Jenny Romero Arévalo, Victoria Romero Suárez, Juliana Pinzón Caicedo, Gabriela Méndez, Anny Uribe Zambrano, Santiago Sánchez Ballén, Cristian Rodríguez Suárez, Wanda Paz, Ana Caro, and Sergio Lombo Ortiz.
All the episodes of the series can be watched at www.conexioncapital.co
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Pantalla Colombia
| N° 118 Oct 16 - Nov 15 / 2022 - Your ticket to Colombian Films / PROIMAGENES COLOMBIA Fondo Mixto de Promoción Cinematográfica |
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| Your ticket to Colombian Films |
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Alis, Anhell69, Amando a Martha (Loving Martha), and Los Órganos internos de la madre Tierra (Mother Earth's Inner Organs) are the four Colombian productions taking part in the 35th edition of the International Documentary Film Festival of Amsterdam from November 9th to 20th.
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Awards around the world
In October, the Biarritz, Sitges, Dok Leipzig, and Chicago festivals recognized several Colombian productions with some of their top awards.
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Colombian series at the Emmy Awards
Dapinty, una aventura musicolor (Dapinty, a musicolor adventure ) is nominated for the International Emmy Awards, among a large Latin American participation.
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Médulas, sanando de raíz at the Japan Prize
The series, produced by Dieciséis 9 Films and Canal Capital Sistema de Comunicación Pública, was part of the competition whose awards ceremony took place on November 4 in Tokyo.
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See Colombian Cinema
FILTHY ENVY (COCHINA ENVIDIA)
www.primevideo.com
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National event
20 BOGOSHORTS - Bogotá Short Film Festival
December 06 - December 13
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National event
16 Festival Internacional de Cine Independiente de Villa de Leyva
November 11 - November 14
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